24” x 36”
Acrylic on wood.
View detail here
This is a reinterpretation of Medusa, who is not so much a monster but a goddess here, with the idea being that she is empowered by her shadow side, instead of dominated by it. Thought I’d share my thought process here:
I used a lot of tarot symbolism, as some of you know I’ve been really into it for the past 8 months or so :) Medusa herself is the High Priestess, holding Persephone’s pomegranate, wearing a cresecent-antlered crown, and flanked by two pillars. Wisdom is all around as well.
-3 swords pierce her heart
-Judgement is in full effect in the lava scene in her hair. I used statues to represent Medusa’s ability to turn people into stone. Her wrath is a multi-headed Mount Vesuvius, complete with writhing snakes, and fleeing statues.
-The four book-wielding figures on the Wheel of Fortune card can be found in each corner of the piece, translated into Egyptian and sculptural iconographic beasts.
-The hermit illuminates the nude, who represents Medusa prior to the snake-headed curse.
-The bound woman of the 8 of swords is guided by Death and his scythe.
-I didn’t want to show her beheading, as all the famous portraits do, so the vein-like coral springing from the heart allude to it, making it monstrous and beautiful at the same time, I hope :) Drops of her blood were said to have created the coral reefs, as Perseus carried her head over the seas of the world.
-Pegasus, who sprang from her beheaded body, is guided by bats, owls, and a ba (human-headed falcon).
-Cerberus, the 3-headed hell-hound, and Poseidon
-and three Perseus figures-- the purple one, is the invisible Perseus, defeated and running from his shadow; a miniature pondering Perseus sits atop a giant stone head; and a surrendering Perseus kneels in front of the pomegranate, removing his invisibility helmet. Either way, Medusa is victorious. I think she would have been, if she had embraced her monstrosity, merging darkness with light.
16” x 20”
Acrylic on wood.
View detail here
Based on the story of Pinocchio, but really the 1940 film :) Here’s my thought-process:
-The blue fairy and Gepetto, the clockmaker, are surrounded by magical spirits, music, and clocks.
-A miniature tree of knowledge grows out of the fairy’s right hand, and she holds time (the only clock that has struck midnight) in the other.
-All the other clocks around her each mark a different hour; there are 12 in total.
-The circus tents and carousel of Pleasure Island rise out of the fog, and to reach them, Pinocchio must get past Monstro the narwhal and confront the larger-than-life fairy.
-Pinocchio has been swept ashore in his miserable bottom left-hand corner, still holding the ace of spades (the death card) that serves as his ticket to Pleasure Island.
-bats and owls with donkey-heads tormenting him
-booze, billiard balls, and books among the wreckage
-Jiminy Cricket whispering words of encouragement
-Figaro and the goldfish, looking in on Gepetto’s shipwreck
-the fool swept along by the tide
-a forlorn deep-sea diver
-melting clock (a miniature Dali-homage) marking Pinocchio’s betrayal of his father the clockmaker.
-an elephant which “can signify the emergence of one’s Highest True Self” when it appears in dreams.
These two pieces, along with the Four Seasons (which the owner is graciously allowing LA viewers to see in person) will be a part of...
Copro Gallery in Los Angeles.
Opening Reception: Saturday March 13, 8:00 – 11:30 p.m.
Exhibit runs from March 13 – April 3, 2010
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